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Stained
Glass
There are 2 methods
used in making stained glass panels: Lead channel (known as Came
Lead) and the copper foil method. Examples of both types of stained
glass products are sun catchers, windows, and lampshades.
Lead Came
While the Romans were
not the first to glaze with lead, they were instrumental in spreading
the practice throughout Europe and the Mediterranean. They produced
their channeled lead by laying reeds side by side in a shallow
pit. Molten lead was then poured into the pit covering the reeds.
Once the lead had set, it was sliced into strips and the reeds
were removed, exposing concave channels for the glass. The end
product was called Calamus Plumbum, or Reed Lead. As the Roman
influence succumbed to the Gaels in northern Britain, Calamus
shortened to Caim. Later Caim was Anglicized to Came. It was in
this way that Channeled Lead became Came Lead.
In this method the lead
channel is used to hold the pieces of glass together. In forming
a design, the came is cut where it meets another came at intersections
in the design. These joints are soldered. The total visual effect
of a leaded piece is one of areas of color viewed against a dark
figure. As light filters through the glass, it silhouettes the
came and clearly outlines the design. The Came is a soft, flexible
material that conforms easily to the shape of the glass. When
seen in cross-section, flat came resembles the letter H laid on
its side. It has a crossbar down its middle, with 2 channels on
either side. This crossbar, or heart, is approximately 1/16" thick
and serves to separate from each other the pieces of glass that
are fitted under the lip, or flange, of the came.
Lead came is available
in a variety of shapes and widths. The most popular widths are
3/16", 1/4 ", 5/16", 3/8", 1/2", 3/4", 1" and 1-1/2". Flat came
and half-round came are the most commonly used shapes. These names
refer to the shape of the came seen in cross-section. There are
also special-purpose cames - such as high-heart and U channel.
The latter has only one channel and may be used to give a finished
appearance to the outside edges of a stained glass piece that
is not designed to be set into a molding.
Soldering Lead
Came
Each lead joint (if
flat came) is tapped with a small hammer so that it is as flat
as possible for soldering. A wire brush is used to clean the joints
of lead oxide (direct cleaning impedes solder flow). Flux is applied.
The end of a piece of .125 50/50 40/60 solder is laid on the joint.
A soldering iron is lowered down on the joint, melting the solder
and bridging the two lengths to be joined. Solder will flow wherever
the flux has been applied. One side is soldered, then the piece
is turned and the other side is completed in the same way.
Copper Foil
Copper Foil was an innovation
introduced at the turn of the century. Its development as a technique
and its principle usage were in the manufacture of Tiffany lamps
and executed in the Art Nouvean style. Because of its flexibility
and its relative thinness, copper foil is better suitedto small
pieces of glass that make up Tiffany lamps and Art Nouvean designs.
Copper foil is available in narrow rolls that are adhesive-backed.
In this technique, the
edges of each piece of glass are wrapped in foil. Each piece is
then soldered to an adjacent one. Since small pieces can be used,
many intricate designs can be produced.
Flux
Flux cleans came and
foil, prevents oxidation, and causes solder to flow. It is applied
prior to soldering.
Fry's Classic Stained
Glass Products offer customers a complete line of material for
either method of stained glass assembly. The versatility of 4
different solders - Classic Ultra Lead-Free, 60Sn/40Pb, and 63Sn/37Pb
for copper foil work, and 50Sn/50Pb for use with came lead, ensure
that all creative needs will be met. The high quality and purity
of these products is essential for the stained glass industry.
Fry's Classic 100 Gel Flux is a non-smoking, odorless product
for use with copper foil and Classic 3200 paste flux works even
on heavily oxidized came lead. Classic NeutraCLEAN neutralizes
and removes flux residue from stained glass reducing the chance
of oxidation on the surface of the metal. Classic Evershield,
applied as a final step, protects solder and came lead while its
natural protective patina is forming.
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